We are searching data for your request:
Upon completion, a link will appear to access the found materials.
From childhood Vladimir Stozharov showed a love of Russian culture. He often traveled to the cities and suburbs of Russia, where he watched the life and folk craft of the peasants. After university, he even more often began to travel around the expanses of his country. It was this period that turned out to be the most saturated in the work of the Soviet artist. The artist worked continuously and created paintings that occupy a place along with the best works of Soviet art.
Among them is the composition in the interior of "At the Samovar", which attracts attention with bright and rich colors. In the center of the composition is a village family that sits at a table and eats. The views of the characters are directed in different directions. A woman looks with a faint smile at the viewer, a man, thinking or looking, looks down. And the boy with his eyes wide open looks into the distance, as if examining something outside the window.
On the table are a samovar, a glass, a jug - traditional household items. Representing the family in his painting, Vladimir Stozharov seems to be trying to inform the public of his attitude to village things. There is nothing dearer and closer to the artist than peasant life.
Despite his love for the depiction of peasant utensils, traditions of folk crafts, the artist avoids the motives of sadness in his paintings. This also applies to the painting "At the Samovar" in 1956. There are no nostalgic notes about the past. Rather, it depicts the features of traditional rural life, which are still found in the life of modern villages.