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The painting is currently in the Museum of Art in El Paso (USA). By its genre, of course, it should be attributed to religious painting, it was written by tempera. As for the direction of fine art, the work belongs to the Early Renaissance.
We see the angel depicted in the picture, raising his hands to the sky and taking a step forward. He is wearing a simple light robe, his mouth is slightly ajar. We do not see the earth or the floor on which the angel stands, so it seems that he hovers above the earth, barely touching her bare feet, or is walking through the air. There are few colors in the work: shades of brown and white.
Expressiveness is mainly achieved through graphics, lines, the play of light and shadow. Due to the small thickness of the lines, a feeling of weightlessness of the figure, the ease of the image of an angel is created.
Botticelli was fascinated by ancient civilization, which, of course, could not but affect his work. He creates images that are consonant with her, sophisticated and exalted, full of religiosity.
The painting "Angel" refers to the early period of Sandro Botticelli, while his work has not yet acquired drama, nervousness, anxiety. The work exudes calm. It is easy to see that there is simply no background on it: Botticelli loved this technique, since he believed that, having lowered or extremely simplified the background, it is much easier to focus on the main thing.
What is central to Botticelli? Apparently, he attaches great importance not to realism, but to a beautiful, precise line, rhythm, composition. If you compare it with Leonardo da Vinci, who wrote Gioconda’s only smile for several years, Botticelli creates an image in general, without elaborating on small details (here we are talking about the work “Angel”). In the first place is the robe, posture, position of the hands.